The Go Find - Everybody Knows It’s Gonna Happen Only Not Tonight

The Go Find - Everybody Knows It’s Gonna Happen Only Not Tonight
[Morr Music, 2010]

I fell in love with the Belgian band The Go Find from the very first album, from the cover (Soviet-kindergarten-like paintings with boats and palms) and most certainly to the music. Naive and beautiful simplicity, hot summer in December and stuff like that… On the third album, the picture changes from summer-water landscapes to the same type of drawing, winter-mountains, but the essence of the sound stays the same. Electronic guitar pop and mellow sound, with the vocals that sound like melted butter. Dieter Sermeus sounds a bit sad at times, and always calm. And the soothing (but pretty fast) rhythms keeps on throughout the album.

The lyrics are as sad as the voice (sometimes joined by female vocals). Like on “Love Will Break Us Up” (don’t tell me you haven’t thought instantly of Joy Division), “You always full of life / Me, always ten steps behind.” I especially liked a merry “One Hundred Percent” (featuring Karolien Van Ransbeeck of Few Bit), a simple and sweet “Cherry Pie” and “It’s Automatic”, reminding the most of the old works… Yet, the whole album sounds very… together’y, very beautiful and composed, and it’s hard to mentally stress one song over another.

The label’s website describes “Everybody Knows…” as the following metaphor: “Imagine the sound of cereal hit by milk in the morning, only heard if you listen closely. A sound that is comforting and addictive.” Little less can be said. A nice and casual sound, home-like, very warm and simple.

Read & Listen:
Official website
The Go Find Myspace

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Massive Attack - Heligoland

Massive Attack - Heligoland
[Virgin, 2010]

It’s been hard for me to get to writing about the new Massive Attack album. To the point where it might not be considered new anymore. It’s extremely good and unfathomable in its beauty and depth.

I have no idea what could be done today to say another word in trip hop without being repetitive. The Bristol Massive Attack did it. Possibly the last word in trip hop as a genre at all - like they ‘opened’ it in the early ’90s, Heligoland can be put into the top lists of 2010, no matter who releases what after this. Lots of collaborations - with old acquaintances like Horace Andy and Martina Topley-Bird, whose vocals have virtually melted into the Bristol sound. Also, mellow Damon Albarn on “Saturday Come Slow,” Guy Garvey of Elbow on “Flat Of The Blade.” TV On The Radio’s lead singer, Tunde Adebimpe, on the opening shamanic “Pray for Rain.” A specifically magical “Paradise Circus” with Hope Sandoval of Mazzy Star - the voice of a 20 year old, while in fact she’s twice as old… Clapping that makes you try to clap along. A sheer beauty of “Psyche” with Martina gets another few inches deeper in your heart…

The chemical formula of Heligoland is not easy to understand, the success of the album can’t be broken down into collaborations, or Daddy G reappearing on the staff, or an intervention of some special muse. The music, whatever caused it, is on the edge of heaven and hell. Slight, piercing and very, very affecting, sending shivers down your spine and making your head spin.

Read & Listen:
Massive Attack on Myspace
Massive Attack official site
Paradise Circus film

Paradise Circus - Gui Boratto Remix

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Hot Chip – One Life Stand

Hot Chip – One Life Stand
[EMI, 2010]

Hot Chip is a trend becoming a legend. This British electronic band first appeared five (or more) years ago, at once becoming a “new hype” and a sensation. With time, however, unlike many other bright, but not lasting stars, they haven’t disappeared and haven’t lost their freshness. Instead, for the fourth album, they moved from being indie kids and occupying a narrow niche to being almost mainstream, and earning a Grammy nomination on the way. Alexis Taylor and Joe Goddard (who, by the way, recently released a solo album) make music that is invariably uplifting, even in its more lyrical ways. Many of their hits claim a place in year’s top tens – they are so glued to the inside of your ears without any chance of getting them out of there until you’ve listened about a hundred times on repeat. One Life Stand is no exception. Unlike the previous album, Made In The Dark, it has less collaborative effort of the whole band, most of the songs were written by Goddard and Taylor. The result? One Life Stand (a track) is one of the best love songs. Thieves In The Night, Take It In, I Feel Better are songs that stand out just a little bit from the whole album surface, On Alley Cats I could swear I was listening to the Kings of Convenience, and We Have Love sounds like a twin of Donna Summer’s I Feel Love. And all this as a whole sounds very organic. A very mature work that’s also highly addictive and entertaining. Nothing else to desire.

Read & Listen:
Hot Chip official website
Hot Chip Livestream

Watch live streaming video from hotchip at livestream.com

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Four Tet – There Is Love in You

Four Tet – There Is Love in You
[Domino, 2010]

Kieran Hebden once again proved that he’s a true magician. The new Four Tet album “There Is Love In You” makes your heart skip a beat, which is a very rare quality. Luckily, it doesn’t happen all 47 minutes of its play, otherwise I’d get a stroke somewhere within the first listen. Some moments bring you to a neuron orgasm, and the rest of the time it’s foreplay with eardrums, lengthy audio tenderness… All this really sounds like lovemaking – affectionate, slow, immaculate. When you’re expecting a bright finale, and instead get several more minutes of elongated pleasure. Ecstatic theme continues from the previous LP, “Everything Ecstatic”. Alright, so much for erotic themes, let’s get to music.
Continuous loops, infinite swagging of tracks, it’s all not so much about crescendo as about getting you to some other level of perception. The magic begins with the beautiful opening track Angel Echoes, which gave name to the album title, there is love in you. The phrase repeats over and over in a soft female vocals, with bells and rhythms bogging you about a meter down. The next piece, single Love Cry, keeps you in the thick of this electronic water enhanced with oxygen. The influence of Burial on Hebden in the past years is obvious, and Love Cry proves it every second and every beat. Nine minutes of wholesome enjoyment in minor and dark tones. The rhythms are responsible for half of the hypnotic effect, the other half provided by loops and melodic. This is true not only for this track, but for the whole of the album.

After the first two diamonds, the album gets into a more quiet place. This doesn’t spoil the sound, just gets you to catch your breath for a while. Additional moments of pure joy are Sing – which is surprisingly reminiscent of Aphex Twin’s “Windowlicker”. This Unfolds does what it says – unfolds slowly, like quiet snow falling to the ground or clouds surfing the sky, then rhythms add up. And it’s impossible to stop listening to Plastic People, a touchy six-minute track, again making you think of Burial.

A wonderful album for social meditations, asocial comatose and other autistic manifestations in the social environment.

Read & Listen:
Four Tet official site
Four Tet on Myspace
Angel Echoes
Angel Echoes (BBC session)  by  Four Tet

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Delphic - Acolyte

Delphic - Acolyte
[Polydor, 2010]

Right now Delphic (of Manchester) is the hottest new thing. Several months before the Acolyte release, the album was proclaimed by critics as the greatest debut of the coming year (or, at least, the first loudest one). The second single, This Momentary (with the video from Chernobyl), made us wait for the release and at the same time worry that it wouldn’t be able to match our expectations. Fortunately, that’s not what happened. Acolyte is a fine work. It’s hard to compare Delphic to anything (I mean, to only one thing), and the style “alternative dance” gives only a vague impression. They sound like Bloc Party, Orbital (they’ve been opening for these two), Underworld, M83 (having their producer, Ewan Pearson), dance version of The Notwist… And at times they also sound like Duran Duran (on Submission). The 80s are not their strongest point. What Delphic are good at is combining beautiful guitars, great lyrics and danceability… Sounding like a million bands and artists at once, and not like anyone of them in particular, is probably the sign of true talent today, when all the harmonies have seemingly been found and all music styles created.

Counterpoint

This Momentary

Read & Listen:
Delphic on Myspace
Delphic on R.FM
Delphic on Twitter

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Memory Tapes - Seek Magic

Memory Tapes - Seek Magic
[Sincerely Yours, 2009]

Memory Tapes is an ailas of New Jersey DJ Dayve Hawk. Actually, one of his many aliases - Memory Cassette, The Banker from Deal Or No Deal, Weird Tapes. His twitter cutely starts with “found a skull”. He demonstrates, and sometimes gives away his new things on his blog We’re Tapes. That, and of course, the music, makes him my latest adoration.

Seek Magic is a very moving and nostalgic album, the first LP after a series of EPs. Dancing, as if from the past, dropping out of time context. At times it reminds of the latest fashion Empire of the Sun. A bit geeky, very sunny and at the same time mild. Lo-fi flowing sounds of the opening Swimming Field are deceptive - through insects chirping come the first dance rhythms on Bicycle. Here, the slowliness and waking-up mood are gone, and the real cheerfulness begins. By the way, Seek Magic can be compared to a bicycle - a lightweight construction moving forward disregarding all the gas-eating monsters and traffic on the road. Guitars are sometimes like New Order’s, danceability is like a simplified James Murphy. Dayve Hawk has his own, piece-by-piece compiled music universe. It’s like a carefully picked interior for a home. At times DIY, at times customized - each element is in its own place, thought-out and immersed into context. This makes Seek Magic really cozy. If Stop Talking is one of the centerpieces, then Pink Stones or Plain Material are framing it. Designer’s lo-fi at its best.

Read & Listen:
Memory Tapes on Myspace
Twitter
Blog
Guest List for Pitchfork

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Fuck Buttons - Tarot Sport

Fuck Buttons - Tarot Sport
[ATP, 2009]

Fuck Buttons are definite followers of the new noisy stream in music started most prominently by Animal Collective. (At the same time, they’re pretty close to Mogwai.) Noisy, wild, the rhythm is the king. It’s drawing you inside, it’s pressing heavily on you, aggressively and animalistically. The sophomore album of these Londoners is more convincing than their debut. There’s this feeling of stretched rubber all through the album. Wilder Surf Solar, metallic Rough Steez, epic Olympians. Rough Steez clanks with steel like a pretty big factory, The Lisbon Maru jingles with coins in a gypsy-like manner, then building up with the military drumroll the pathos before Olympians - the warrior theme there goes all the way. Fantom Limb creates a total spin of spare parts, engines and metal things.

The head almost blasts with this music, but at the same time it brings you to the verge of some kind. The music of chaos lets you get along with the disorder of the world more easily. Andrew Hung and Benjamin Power are some kind of masters from “The Flower of Stone” (Russian fairy tale), making beauty of inorganic matter.

Surf Solar

Read & Listen:
Fuck Buttons official website
Fuck Buttons on Myspace
Olympians mp3

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Islands - Vapours

Islands - Vapours
[Anti-, 2009]

New album by Canadian indie-rockers Islands is a definite joy. Easy but not airy, cheerful but not too noisy. On their third LP we’ll notice the return of the drummer J’aime Tambeur (who wasn’t there on the second album). By the way, compared to their sophomore Arm’s Way (2008), Vapours sound more joyful (and, hence, less gloomy). In general, the sound can hardly be called indie anymore - when a whole cohort of bands and artists follow the route of guitar-and-electronic sounds. Still, Nick Thorburn and co maybe can’t be called unique, but they’re surely not stealing anything. Disarming the Car Bomb, On Foreigner, Switched On - these tracks and more make you listen in. Attractive rhythms, energetically saturated guitars and decent lyrics - all this is not far-fetched, but genuine and organic. Not boring at all.

Read & Listen:
Islands Myspace
Islands - Vapours mp3 (from Pitchfork)

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GusGus – 24/7

GusGus – 24/7
[Kompakt, 2009]

Ladies and gentlemen, we’re now at the unique object of the vocal dance minimal, the 6th studio album by the Icelandic band GusGus (Daníel Ágúst, Veiran and President Bongo). What I love the most about it is these groovy funnels that appear in the metaphysical space of this type of music. Most often it comes without vocals, but not this time. In terms of lyrics, 24/7 is doomed to be quoted:

I feel like dancing on the thinnest ice.

If you can’t tolerate my kind you can kiss my fucking ass.

If I can’t find love I guess I’ll hate.

GusGus sound has changed a lot since This Is Normal, one of my favorite albums of the time. But still, they’re the same in terms of masterful creation of a special atmosphere around the music. Walking in circles turns out to be getting up the spiral – and in the end you find yourself on top of the world. A subtle, inexpressible state of semi-trance. This fragility is exactly dancing on the thin ice that can be broken any second.

On Take Me Baby another magician Jimi Tenor contributes his vocals, brining more weight to the otherwise upbringing Agust’s voice. And in general, 24/7 is a mass of synthetic ropiness with deep diving.

Add This Song

Read & Listen:
GusGus on Myspace
Interview with GusGus

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the xx – xx

the xx – xx
[Young Turks, 2009]

This is the type of music that I’m ready to call perfect from the first listen. Pop, but without glucose overload. The lyrics are mostly about sex, love and youthful moments of joy. The xx stay somewhere in-between twee, indie pop and mainstream pop. The debut album of 20-year-olds from Southern London is somewhat of grey shades, but not merging with the background.

Guitars sound like raindrops outside the window. Lightness of songs, instrumental laconic build also provides for the beauty. But the best thing that xx give is vocals. Romy Madley Croft and Olivesr Sim sound like twins – very similar and in line, complementing each other. This is the music of the times when R&B is already a tradition that gives rise to new branches and substyles.

It’s very hard to describe where exactly the magic is. It’s probably their distancing and lack of selfishness. Everything about xx is very calm, without any desire to attract mass attention. A tranquil, soft music, stories told within a sofa – when the flow of time slows down, and you fall out of your usual rhythm and into a parallel reality. Please teach me gently how to breathe – can be about sex or about anything else. It’s totally your choice. The music, once again, lacks selfishness, flows into your mood.

The xx - Basic Space

Read & Listen:
The xx on last.fm
The xx on Myspace
The xx - Crystalised mp3

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