Animal Collective - Merriweather Post Pavilion
[Domino, 2009]
Merriweather Post Pavilion is the 8th Animal Collective album and the 2nd released on Domino (after 2007’s Strawberry Jam). It’s been a long time since you actually expected something from these beautiful psychosis freaks, except for the already habitual wildness. Which, of course, you get.
No one, probably, thought they would surpass themselves or do “something new”. Once having the plank set for themselves and having dug out their own niche in the huge music mountain, they’ve only got to expand its boundaries – be that with Panda Bear’s and Avey Tare’s vocals, or drums and howling of music instruments – at times indistinguishable from vocals (or vice versa). Not for the first time, the album leaks in parts long before its release date, this time not without help from the label friends, Grizzly Bear, for which they’ve apologized. By the way, Brothersport, the closing of 11 tracks, is by far “the most.” And despite the numerous protests of Animal Collective members, claiming that the album should be perceived as the whole, and separate parts only spoil everything, — even by itself, without its context, Brothersport is (close to) a masterpiece, a gimlet eating into your brain and branching there its root system. By the way, it’s Animal Collective’s music that helps in the moments of reality conflicts overcome insanity. For me, it’s the most effective thing – to turn on a new (or any) Animal Collective album in the iPod. These guys work like a shock therapy.
There aren’t so many “hits” on Merriweather Post Pavilion, it’s not like Feels or their most “digestible” Strawberry Jam. Merriweather was produced by Ben Allen, who worked in a more pop environment, Gnarls Barkley and P. Diddy.
In The Flowers is an ambient, flowery-petal, tender melody opening the album. It’s followed by one of the “hits,” My Girls, which is like a flower bud opening up and turning into a flower. The music is more dense here, and it definitely sets the tone for the rest of the album, which flows through atmospheric interludes like Also Frigthened and Taste, and jutting out from the general landscape tracks: one of the most prominent ones is Summertime Clothes, with some kind of inner engine, it’s marked by a memorable vocals and – not so loud, but catchy – rhythms. Shamanic Daily Routine, mood-changing Bluish, blowing one’s top Guys Eyes… Lion In A Coma is yet another “pop” tune, with didgeridoo, one of the oldest instruments in the world, played by Austrailan aborigines. And, like a break before Brothersport – No More Runnin’, slow-moving, smooth and magical. And the finale, Brothersport, is a six-minute rhyme/tongue-twister/spell, which smells of the densest jungle and the wildest of the beasts inside us.
All in all, it wouldn’t be true to speak of Merriweather Post Pavilion as something outstanding, if you consider take the album alongside other Animal Collective works. With time, they do sound more “together” and connected to each other, and we stop getting astonished by the way they sound – for a while, this kind of music has been a “fashion,” there now are Dan Deacon, Yeasayer, Gang Gang Dance and a lot more… It’s just that with each and every new album and new track of Animal Collective the wires inside us get more naked, and from the depth of our minds grows something true, something that has been covered with multiple layers of society, rules and the like.
Read & Listen:
Animal Collective Myspace
Brothersport (NPR Live) mp3